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Masayuki Takayanagi And New Directions - Independence: Tread On Sure Ground | Cinedelic Records (CNLP65) - main
Masayuki Takayanagi And New Directions - Independence: Tread On Sure Ground | Cinedelic Records (CNLP65) - 1Masayuki Takayanagi And New Directions - Independence: Tread On Sure Ground | Cinedelic Records (CNLP65) - 2Masayuki Takayanagi And New Directions - Independence: Tread On Sure Ground | Cinedelic Records (CNLP65) - 3Masayuki Takayanagi And New Directions - Independence: Tread On Sure Ground | Cinedelic Records (CNLP65) - 4

Masayuki Takayanagi And New Directions

Independence: Tread On Sure Ground

Cinedelic Records (CNLP65)
On Records Japan (CNLP65)

1x Vinyl LP Album Limited Edition Reissue

Release date: Jun 11, 2022, Italy

*Black Vinyl edition ** The quintessential album by Takayanagi Masayuki. Considered the 'Lochness monster' of Japanese free jazz records due to its incredible rarity, this album was the debut recording of Takayanagi Masayuki as leader with The New Directions, a trio consisting out of bassist Yoshizawa and drummer Toyozumi "Sabu" Yoshisaburo. Recorded at the Teichiku Kaikan studios on 18 September 1969 (released in 1970), "Independence – Tread on Sure Ground," is largely regarded as the first true classic of Japanese free jazz. The group thrashes out an entirely new Japanese methodology for improvisation based on Takayanagis theories about progressive art.

As Alan Cummings explains in his liner notes, the groups sonic outburst is pregnant with an urgent intensity similar to a violent rotating windstorm. "An electric guitar string is pinged with a sour and markedly unlovely resonance. It is left to fade away naturally, its dying whisper replaced with a wavering feedback tone that grows steadily in volume and thickness. Against the slow feedback wave, a sudden loud percussive crash, urgent staccato rolls across the toms, and the dry rasp of a rattle. A choppy, non-sequential series of chords from the guitar, still mouth-puckeringly bitter is set against the warmer resonance of an alternately bowed and plucked double bass. Each instrument sounds self-contained, like lunar bodies spinning on their own axes at different tempos, but locked together by unfathomably complex rules of motion. Additional percussive rattles and scrapes have been overdubbed to fill in the blank space. Tendrils of feedback snake in and out, like cosmic dust from some cataclysmic celestial event. The playing is exploratory and deliberate, technically adept and keenly judged, easily sustaining interest and motion across the tracks eleven minutes. Its sense of focused concentration is more akin to the European free improvisation of AMM or The Spontaneous Music Ensemble than the violent ecstasies of American fire music.” - Alan Cummings – from the liner notes.

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A1

銀河系 = The Galactic System

A2

病気のおばさん = Sick...Sick...Sickness...My Aunt

A3

習作第3番アップ・アンド・ダウン = Study No.3 Up And Down

B1

スペインの牧童の笛 = Herdsman's Pipe Of Spain

B2

夜の沼 = Deepnight...Swamp

B3

ピラニア = Piranha