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Various - Waiting for Your Return: A Shidaiqu Anthology 1927-1952, Pt. I | Death Is Not The End (DEATH067) - main
Various - Waiting for Your Return: A Shidaiqu Anthology 1927-1952, Pt. I | Death Is Not The End (DEATH067) - 1Various - Waiting for Your Return: A Shidaiqu Anthology 1927-1952, Pt. I | Death Is Not The End (DEATH067) - 2Various - Waiting for Your Return: A Shidaiqu Anthology 1927-1952, Pt. I | Death Is Not The End (DEATH067) - 3Various - Waiting for Your Return: A Shidaiqu Anthology 1927-1952, Pt. I | Death Is Not The End (DEATH067) - 4

Various

Waiting for Your Return: A Shidaiqu Anthology 1927-1952, Pt. I

Death Is Not The End (DEATH067)

1x Cassette Compilation

Release date: Mar 1, 2023, UK

Shidaiqu literally means “songs of the era”, a term used to describe a hybrid musical genre that first began permeating through the cosmopolitan city of Shanghai in the late 1920s. Blending western pop, jazz, blues and Hollywood-inspired film soundtracks with traditional Chinese elements, the shidaiqu represented a musical and cultural merging that would go on to shape a golden age of Chinese popular song & film in the pre-communism interwar period.

Waiting for Your Return brings together a wide collection of recordings for an anthological overview of the style. Taking in it's early beginnings in the work of the pioneering composer Li Jinhui - whose 1927 song "Drizzle", featuring the vocals of his daughter Li Minghui, is often referred to as the first shidaiqu record - through to more polished 1930s & 40s examples, when China's western-influenced popular music & movie industry reached it's golden age with the prevalence of the Seven Great Singing Stars (Bai Hong, Bai Guang, Gong Qiuxia, Li Xianglan, Wu Yingyin, Yao Lee and perhaps most prolific of all, Zhou Xuan).

Included in the collection are tracks recorded right up until the music's demise in Shanghai in the early 1950s - during which time the Chinese Communist Party denounced shidaiqu as "yellow music", outlawed nightclubs and pop music production, and destroyed western-style instruments - following which, much of these singers would decamp to Hong Kong where many saw further success throughout the 1950s and into the 1960s.

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A1

Minghui Lin - The Drizzle

A2

Zhang Fan - Fly All Over The Field

A3

Li Li-Hua - A Thousand Birds Facing The Phoenix

A4

Chow Hsuan - Age Of Bloom

A5

Bai Kwong - Waiting For Your Return

A6

Wu Yingyin - The Moonlight Sends My Lovesickness Across A Thousand Miles

A7

Wang Renmei - Song Of The Fishermen

A8

Yao Lee - Congratulations Congratulations

A9

Bai Hong - Suzhou Nocturne

A10

Chow Hsuan - Mahjong Classic

B1

Yao Lee - Lovesick Tears

B2

Kung Chiu Hsia - The Girl By The Autumn Water

B3

Yuan Meiyun - The Most Beautiful Boy

B4

Chow Hsuan - New Life Of Love

B5

Yao Lee - Oh Susan

B6

Du Jie - Chinese New Year Song

B7

Zhang Jing - Bells

B8

Qu Yunyun - Simple Life

B9

劉琦 - Tired Of Dancing

B10

Bai Kwong - Expectation