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Toshiko Yonekawa, Kiyoshi Yamaya
Tapestry Koto & The Occident Country = 琴 里を詩う
‘Tapestry: Koto’ is a 3-album series produced by Nippon Columbia in the mid-1970s dedicated to one of the main instruments of Japanese traditional music: Koto. The beauty of the trilogy curated by composer Kiyoshi Yamaya, whose chapters are respectively dedicated to Sea, Hillside and Country, lies in the fact that they are a modern translation of tradition using newer and more avant-garde sound idioms, integrating the koto with jazz musicians. An original mix, a ‘crossover’ that allows for the awakening and the consequential spread of traditional music in larger contexts.
A1
よさこい節 = Yosakoi-Bushi
A2
秋田おばこ = Akita Obako
A3
真室川音頭 = Mamuro-Gawa Ondo
A4
相馬盆唄 = Soma Bon-Uta
A5
おてもやん = Otemoyan
A6
五木の子守唄 = Itsuki No Komori-Uta
B1
宇目の唄げんか = Ume No Uta-Genka
B2
西武門節 = Nishinjo-Bushi
B3
郡上節 = Gujo-Bushi
B4
八木節 = Yagi-Bushi
B5
ぶらぶら節 = Bura Bura-Bushi
B6
黒田節 = Kuroda-Bushi



